You’re deciding whether to trust me with what you’re building. Fair.
That’s why you’re on this page. I’m well aware a few selected pieces from my resume may not be enough to decide if we’d work well together. Working with a producer is a big leap of faith, so it’s only fair for me to share more about myself.
Here’s my story:
I started as an actor in my teen years, so storytelling has been my passion for a long time. I trained at a conservatory in NYC. The highlight of my time there was one day when my teacher very bluntly told me I’d never make it, that I didn’t have what it takes. I locked myself in the bathroom and, unfortunately, believed that teacher for a very long time.
However, as a person grounded in faith, I knew I couldn’t let this teacher stand between me and what I knew God was calling me to do in storytelling. So after some time, I doubled down. I didn’t just study acting and on-screen performance; I studied production and took every gritty, low-level job that kept me close to the craft. I was a PA. I was an unpaid intern more times than I’d care to admit. I even became a certified master electrician, wiring up stage lights that nobody would ever notice unless they went dark. There was zero glamour in it, but it was the best education in storytelling I could have asked for. Lights can also tell amazing stories in their own way.
Eventually, that all somehow made me a Producer. I started in traditional media, then moved into long-form digital content. I spent four years running weekly shows for a production network, learning exactly what it takes to hold a show, and its people, together. Today, that world lives on YouTube and in creator-led media. That is exactly where I want to be.
Along the way, I made myself a promise: I will never, ever be the person who makes someone feel small in a room I’m running.
Ok, I can tell you’re still deciding… so here’s why this matters to you:
I’ve been the actor crying in the bathroom stall, questioning everything. I’ve been the crew member nobody bothers to look at twice unless something goes wrong. And now, I’m the producer keeping the entire engine running in the background.
All of these roles have shaped how I lead a room, how I talk to creators and talent, and how I show up for my team and my crews. It’s hard to describe, but it’s a difference you feel the second we start working together.
My work in traditional media gave me a deep understanding of hierarchy and structure for production efficiency. That kind of operational discipline is exactly what creator-led media needs right now.
At the end of the day, I am simply obsessed with stories. A well-told story can quietly shift how someone sees themselves, their neighbor, or the world around them.
If that sounds like the kind of producer you want in your room, I’d love to talk.
